ever heard of the last song syndrome - like when somebody beside you singing a song and when he stops you continue singing it..or if something is playing on the stereo you get hook to rhythm of the song and then voila - you’re the one singing it..
what about people who sings out of tune in videoke bars or in get-together occassions? tone-deaf..maybe..
the following articles are about having an EAR WORM and being TONE DEAF, read on:
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ABOUT TONE DEAF
No karaoke for you! Bad wiring spells tone-deaf
08/19/2009 | 09:37 AM
NEW YORK – Do your friends cover their ears when you sing along with the radio? Does the choir director ask you to lip-sync?
If you’re one of the unlucky people who is tone-deaf, it turns out your brain may have a wiring problem. That’s what new research published Wednesday suggests.
People who are tone-deaf can’t detect differences in musical pitch but usually have normal hearing and speech. Tone-deafness runs in families, and estimates of how many people have the problem range from 4 percent to 17 percent.
In the small study done in Boston, brain scans showed there was a difference in a particular brain circuit between those who were tone-deaf and those who weren’t. Among the tone-deaf, researchers discovered there were fewer connections between two areas of the brain that perceive and produce sounds.
The study’s lead author, Psyche Loui (SY’-kee LOO’-ee), likened the connection to a highway between two islands in the brain.
In tone-deaf people, “there’s less traffic on the highway,” said Loui, who studies music and the brain at Harvard Medical School and is also a musician.
Loui and her colleagues took brain scans of 20 people, half of them tone-deaf. Those who were tone-deaf had fewer nerve fibers between the frontal and temporal regions of the brain, or in some cases the fibers couldn’t be detected at all.
The researchers reported their findings in Wednesday’s issue of the Journal of Neuroscience.
“It’s a new piece in our understanding of tone-deafness and the processes that are involved in the perception of pitch in general,” said Nina Kraus of Northwestern University, who wasn’t involved in the research.
Loui said the brain connection they examined was long known to be involved in language. “Now that we know which brain pathways to train,” she said, there may be ways to help people with tone-deafness, and perhaps those with other language disorders. - AP
http://www.gmanews.tv/story/170156/No-karaoke-for-you-Bad-wiring-spells-tone-deaf
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ABOUT EAR WORMS
Earworm
Earworm may also refer to the Helicoverpa zea (corn earworm) or the musician DJ Earworm.
Earworm, a loan translation of the German Ohrwurm, is a term for a portion of a song or other musical material that repeats compulsively within one’s mind, known colloquially as “music being stuck in one’s head”. Use of the English translation was popularized by James Kellaris and Daniel Levitin. Kellaris’ studies demonstrated that different people have varying susceptibilities to earworms, but that almost everybody has been afflicted with one at some time or another. The psychoanalyst Theodor Reik used the term haunting melody to describe the psychodynamic features of the phenomenon. Another scientific term for the phenomenon, involuntary musical imagery, was suggested by the neurologist Oliver Sacks in 2007.
A “repetune” is a song or other musical piece stuck in one’s mind. Wanted Words, a feature on CBC Radio One’s This Morning hosted by Jane Farrow, also once asked listeners to invent a word for this phenomenon. Submitted entries included “aneurhythm” and “humbug”.
Synonyms for earworms include “Last Song Syndrome”, “repetuneitis”, or in extreme degree “melodymania”.
Medications that are used to treat obsessive-compulsive disorder or anxiety can alleviate the symptoms of earworms.
Earworms should not be confused with endomusia, which is a serious affliction in which someone actually hears music that is not playing externally.
http://en.wikipedia.org/wiki/Earworm
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an article written in 2006 in the british guardian..
Can’t get it out of my head
Got Kylie stuck on replay? Developed a hatred of James Blunt? Vadim Prokhorov on the pesky phenomenon of the ‘earworm’
Vadim Prokhorov The Guardian, Thursday 22 June 2006 Article history
Did you see Mission: Impossible III earlier this year? If you did, then you’re probably stuck with the “MI” theme repeating over and over in your head. According to James Kellaris, marketing professor at the University of Cincinnati, the “MI” theme is currently ranked sixth on the Top 10 Earworm List. His study, Dissecting Earworms: Further Evidence on the ‘Song-Stuck-in-Your-Head’ Phenomenon, found that at one time or another nearly 99% of people have had earworms - those sticky tunes that people can’t get out of their heads. “They seem to repeat themselves involuntarily inside the mind of the hapless victim,” says Kellaris. On average, the episodes may last several hours and happen quite frequently in “chronic sufferers”.
The term “earworm” is a translation of the German word Ohrwurm, used to describe the “musical itch” of the brain. It is a confusing term, since the phenomenon has nothing to do with small maggot-like creatures crawling into your ear and laying eggs in your brain. The musical earworm actually works more like a virus, attaching itself to a host and keeping itself alive by feeding off the host’s memory. Nor does the earworm occur in the ear, as researchers at Dartmouth College, New Hampshire, demonstrated in their study, Musical Imagery: Sound of Silence Activates Auditory Cortex.
The American philosopher Kenneth Burke once asked: “When a bit of talking is taking place, just what is doing the talking?” The Dartmouth researchers discovered that the talking is done by the auditory cortex, which perceives and stores our auditory memories. And it is the auditory cortex - the “brain’s iPod” - that earworms chose as the centre of their activity.
“We found,” says David Kraemer, a graduate student of cognitive science and the lead researcher on the Dartmouth study, “that the auditory cortex that is active when you’re actually listening to a song was reactivated when you just imagine hearing the song.”
At first, the researchers asked the study’s 15 students to identify which songs were familiar or unfamiliar to them, thus developing an individualised playlist for each subject. The Rolling Stones’ Satisfaction and the Beatles’ Yellow Submarine were included among familiar songs with lyrics, and Beethoven’s Ode to Joy and the theme from The Pink Panther among familiar instrumental tunes.
“When the subjects were in the MRI scanner, which we used to look at the brain activity, we played them parts of a song and then hit a mute button for three or five seconds,” says Kraemer. “We didn’t tell them that we were going to cut out the sound. For songs people were familiar with, they automatically put the missing part in there.” The auditory cortex continued “singing”. When listening to an unfamiliar song, the subjects didn’t hear anything after the sound stopped. “They didn’t try to continue the song,” says Kraemer.
Emily Cross, also a graduate student at Dartmouth and one of the subjects of the study, says that with familiar songs it was as if “the brain was connecting the dots. You are not surprised when the song picks up, because you have been playing it all along in your head. With unfamiliar songs though, you either wait in silence or, if it’s predictable enough, you make up the missing bits.” After leaving the scanner, she noticed that the songs were spontaneously popping up in her head for quite a while.
This retrieval of auditory images -whether deliberate or spontaneous - appears to be “perception in reverse,” says Kraemer. That is, the process follows the neural path that was involved in the actual perception, only backwards.
What triggers the retrieval of a particular song - making it come to mind and get stuck in the head - is not exactly known. It might be anything: a title, a thought or a reminder of past experience that somehow is connected to a melody. Or it could just be a few notes that prompt the brain to refresh the memory and find the missing parts of the song.
“Earworms seem to be an interaction between properties of music (catchy songs are simple and repetitive), characteristics of individuals (levels of neuroticism) and properties of the context or situation (first thing in the morning, last thing at night or when people are under stress),” says Kellaris.
Most of the time we do not pay much attention to our earworms - every moment of the day we are bombarded with fresh auditory information, so we are constantly distracted from concentrating on them. Still, people react differently to this stuck-song syndrome. Kellaris found that women are more susceptible to earworms than men. And musicians more than non-musicians. “Musicians are probably prone to earworms by merit of the greater exposure to music and repetition they encounter in rehearsals,” he says. “But why are women? That’s a mystery.” However, earworms are more problematic for those inclined to worry, and women had higher neuroticism scores than men, says Kellaris.
When earworms become a problem, he says, “some people swear by ‘eraser tunes’; those that have a mystical ability to eat any other earworms. Singing the eraser tune rids one of an earworm but risks replacing it with the eraser song.” A friend of mine uses Raindrops Keep Falling on My Head, though it can also become an earworm.
You can also pass earworms on to someone else - sharing it certainly lightens things up. Or if a song is stuck because you can’t remember some of the words or how it ends, then listening to it or singing it in its entirety may help unstick it.
“What works pretty well for people who are plagued by earworms is to ask them what may be causing them,” says Diana Deutsch, a professor of psychology at the University of California, San Diego. “People sing along with something internal, so music reflects what is in the back of a person’s mind, serving as some kind of personal reminder. If they remember that, music often goes off in their heads.”
Or perhaps we simply have to remember the main rule of the human-earworm relationship: treated earworms go away in one day, untreated earworms in 24 hours.
Some day scientists will be able to find a vaccine for earworm infections. Apparently, 1% of people are immune to this disease. Or are they? “I think,” says Kellaris, “that people who say that they do not experience earworms are lying or don’t recall their earworm episodes”
Top 10 earworms
1. Kylie Minogue, Can’t Get You Out of My Head
2. James Blunt, You’re Beautiful
3. Baha Men, Who Let the Dogs Out
4. Mission Impossible theme
5. Village People, YMCA
6. Happy Days theme
7. Corinne Bailey Rae, Put Your Records On
8. Suzanne Vega, Tom’s Diner
9. Tight Fit, The Lion Sleeps Tonight
10. Tiffany, I Think We’re Alone Now
http://www.guardian.co.uk/music/2006/jun/22/popandrock
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what about filipino’s top favorite earworms? based on my observations..not necessarily in order of choice but may include the following:
1. My Way - by Frank Sinatra , regarded as a ‘death song’ by the media as troubles inside videoke bars were attributed to singing of this song.
2. Closer You and I - by Gino Padilla , a favorite love theme videoke song.
3. songs by AIR SUPPLY - from the 80’s - majority of filipinos know at least one song of this band
4. songs by MICHAEL LEARNS TO ROCK - ang baduy sa europe eh sikat din sa masa sa pinas
5. songs by AEGIS - very popular in the barrios the pang masa band
6. of the classics - ABBA’s Dancing Queen and Chiquitita, BEE GEES’s How Deep is your Love, ELVIS PRESLEY, BEATLES
7. who would forget the mega rock ballads played by bus drivers on the way to your destination like LOVE HURTS, SOLDIER OF FORTUNE, WE ARE THE CHAMPIONS, BOHEMIAN RHAPSODY
8. LUHA by SAMPAGUITA
9. ANAK by FREDDIE AGUILAR
10. last to mention are the novelty songs that keeps on churning from noontime variety shows - SPAGHETTI by sexbomb girls, OTSO OTSO, BULAKLAK by VIVA HOT BABES etc..
there are still alot to mention such as LAMBADA and TODO TODO among the dancing tunes
special in our hearts are the CHRISTMAS SONGS such as CHRISTMAS IN OUR HEARTS by Jose Mari Chan, MARY’S BOY CHILD by the BONEY M, and most of all the song ANG PASKO AY SUMAPIT..which i’m planning to play starting tomorrow - September 1.